IN THE PRESS
INTERVIEWS
The Gateway Podcast - 01/18/2023​
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Episode 11: "Movies Done Independently"
The Reluctant Book Marketer - 07/27/2022
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I appeared as a guest on Jody J. Sperling's excellent podcast that focuses on the mindset of authors. We discussed the importance of the entrepreneurial mindset with any creative endeavor.
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I had the pleasure of being a guest-host on the episode "The Plot Hound Shows His Chops" which released on 03/20/2023.
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IndieNYC - 12/01/2012
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For the LIPSTICK LIES screening at the Philip K. Dick Sci-Fi Film Festival
GENERAL MEDIA COVERAGE
"Exclusive Preview Screenings of 43 Degrees North, A Locally Produced Feature Film"
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Maine Public, Lincoln County News, and Maine Tourism Association
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"Filming buses, trains: terror?"
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Metro New York (USA)15 November 2010, pg. 5, by: Eric Norcross,
OP-ED on the filming of an MTA Bus Depot for CAROLINE OF VIRGINIA [print & online article, not currently available]
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"Big Apple Is A Plum For Brooklyn Extra, Filmmaker"
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Bay Currents (USA)7 March 2006, Vol. 3, pg. 10-13, by: Eric Lima
Filmmaker" | Interview for THE LONG ISLAND PROJECT
[this was a print-publication, the website of which is no
longer active. It is unclear if Bay Currents is still in print,
article not currently available]
LATEST COVERAGE
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"A grieving widower inherits a house on a Maine island. Strange things ensue." READ HERE
by Dennis Perkins
Portland Press Herald (USA) 16 September 2024
REVIEWS
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Over the years, my work has been reviewed be a number of online film-centric publications and blogs. Most of them are good reviews, some indifferent, and a few downright nasty. I've always posted them here in a list, along with URL links.
As of late, I've had a change of policy in this regard. I do not seek out reviews of my work, nor will I share them as I do not find my art practice benefits from such criticism.
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It is my opinion, which has been backed my extensive academic research, that there is no such thing as constructive criticism. With that said, most criticism, especially as it concerns film and art, are not constructive at all and merely the opinions of individuals who seriously lack the art-literacy that the medium of cinema demands.​​​ I am working to change the landscape of film criticism to be more reflective than reactive, and embrace academic rigor in the way movies are discussed.
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