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FINALIST - Nashville Film Festival - 201
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Caroline of Virginia


Caroline of Virginia is a fairy tale about the things we take for granted.  
After a deaf woman befriends a musician, she wakes up the following morning with the ability to hear. Although this seems to comes as a blessing, she realizes the gift of hearing is only temporary and it's all at the expense of the musician.

Written, Produced & Directed by Eric Norcross

Producer: Jan Major

Starring: Michael Scott Ross, Hall Hunsinger, Lauren Meley

Katie Jergens & Brian Corbett

Music Score by Peter Dmitriyev

Featuring Songs by: The Whale & the Wave, Chris Robertson

Sound Design & Mix by John Langley

​Awards: New York Spotlight / MFF 2012 | Finalist / Nashville Film Festival 2012 Finalist for Summer 2012 International Film Contest in Drama / Film Skillet



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Caroline of Virginia - Film Festival Featurette

Caroline of Virginia - Film Festival Featurette

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Caroline of Virginia - Teaser

Caroline of Virginia - Teaser

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Archival Video: Caroline of Virginia - MFF Screening Invitation

Archival Video: Caroline of Virginia - MFF Screening Invitation

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Caroline of Virginia wins the New York Spotlight Award at MFF

Caroline of Virginia wins the New York Spotlight Award at MFF

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Anthology Film Archives on July 4, 2011 - the night of the premiere.

Eileen and Jan outside the Anthology Film Archives - just before the premiere.

Eileen and Jan in the lobby of the Anthology Film Archives - after the premiere of "Caroline of Virginia".

Jan Major observing the program on premiere night.

From left: Lauren Meley, Michael Scott Ross, Jan Major, Eric Norcross at the premiere.

Lauren, Eric and Jan after receiving the New York Spotlight Award at the 2012 Manhattan Film Festival.

The One-Sheet poster.

Lauren Meley and Michael Scott Ross in "Caroline of Virginia".

Michael Scott Ross
Lauren Meley




ROGUE CINEMA by Jason S. Lockard

THE HARMONY OF NEW YORK by Shalini Adnani at

The Harmony of New York by Shalini Adnani [defunct website]

Although self-proclaimed New Yorkers would find themselves in utter discomfort and in silent retreat where the slight drop of a pin sends sound waves miles away; they still nag about the constant sirens interrupting their phone conversations, the trucks unloading at the crack of dawn and their neighbor's foot steps that can be heard through the walls. Eric Norcross' short film Caroline of Virginia puts all of these nuisances and noises in a different light. Caroline (Lauren Meley), a deaf and dumb girl from Virginia, has a romantic encounter with The Musician (Michael Scott Ross) at her workplace, yet she never would have imagined a mere smirk would turn her world upside down. Yearning for someone to truly appreciate his music, The Musician, gives Caroline the ability to hear—but there is a catch. He has to give up his ability to listen after three days of a pitch perfect limbo with Caroline. What initially seems like another cheesy love story takes an unexpected twist with the humorous appearance of a wizard (Hall Hunsinger) granting The Musician a wish. It is this surrealist twist, together with Hall Hunsinger's quirky humor, that adds a layer of depth to the plot.

Norcross artistically explores the sounds of New York we take for granted, from the constant honks and accelerators from the streets, to balloons popping and of course the enthralling music that surrounds us. Lauren Meley's ability to play both deaf and dumb was truthful as well as her amusement with all the newfound sounds she encounters. Through Virginia's untenable ears these three romantic days of an ill-fated love story left a poignant dent in my mind and most of all caught me by surprise—what initially felt superficial and cliché turned into a 37 minute film that, with Norcross' zeal, was both picturesque and most of all mellifluous.

Fan Feedback:


"The acting, camera work, and of course the concept and direction were all wonderful. The many city scenes, including the shots from (Lincoln Plaza), are terrific."

                                                                   -Barbara M. Massachusetts.

"This is one of our favorite movies."

                                                                   -David, Massachusetts

Caroline of Virginia by Richard Propes

The Independent Critic

I love fairy tales. 

I know. I know. That may sound incredibly strange for those of you who visit this little world of mine often and recognize me as the rather jaded film writer and social justice activist. 

But I do. I love fairy tales. 

While I don't always invest myself in the ideas of hope and love and sacrifice, I love to reflect upon them and to immerse myself in a world that includes them. 

Caroline of Virginia is a fairy tale set in the very real world of New York City. The film takes place during the New York City transit strike and centers around Caroline (Lauren Meley), a deaf young woman who works in a bookstore. One day, she has a quietly romantic encounter with an under-appreciated musician (Michael Scott Ross). 

The two click, perhaps recognizing in each other an unacknowledged strength of heart and spirit. He sees in her a young woman who is taunted and teased for her physical challenges yet her spirit is never extinguished and she, in turn, genuinely appreciates his music even if it is something she cannot hear herself. 

A chance encounter with a wizard (Hall Hunsinger), this is a fairy tale after all, leads to our musician being granted the wish that Caroline be able to truly hear his music. For the next three days, the wizard grants, the lovely young Caroline will be able to hear her new love's music. However, at the end of the three days there is a price for the musician to pay ... he himself will lose his own hearing. 

Oh, but wait. There's one more catch. IF the New York City transit strike ends within these three days, the deal is null and void and our musician will have no price to pay for this most romantic of gestures. 

Caroline of Virginia is proof positive that you can create a sweeping, magical fairy tale within the confines of a lower budget, indie short film. We like to say that the greatest benefit a film can have is genuine talent, and Caroline of Virginia is filled to the brim with talent both on and off the screen. 

Of course, it all begins with Caroline. To be a convincing fairy tale, a film simply must convince in both the the real world and the world that transcends the human experience. Lauren Meley gives a beautiful performance as a young woman who seemingly manages to find the beauty in her everyday life despite her own physical challenges. Meley's performance as a deaf young woman, at least to this non-hearing impaired film writer, was so convincing that I found myself looking her up to see if she really was deaf (She's not). Watch Meley's eyes and body language as her miracle unfolds and she begins to experience life in a different way - it's as if we're watching an already beautiful flower blossom and reach up to the skies. 

This is not to say that Michael Scott Ross is outshined, though his performance is definitely lower key. Ross has the unenviable task of playing opposite a wizard, played with relentless enthusiasm and quirkiness by Hall Hunsinger. Ross has a rather quiet "guy next door" charm about him. You can't help but get the sense that his music, at least until he meets Caroline, is his one safe place in the world. It's no small trick to create a transcendent and magical interaction on the big screen without all the usual CGI gimmicks to do so, but the interactions between the musician and the wizard are both grounded and otherworldly. Ross's chemistry with Meley is quiet and sweet and natural and, perhaps most importantly, you get the sense that these two would be an absolutely lovely couple even without some miracle entering their lives. Ross exudes the type of warmth that makes you fully believe that our young musician really would fully invest himself in learning Caroline's language if it meant a genuine connection. 

Caroline of Virginia was shot on a micro-budget and those budgetary restrictions are evident at times in the film's production quality, but rather than focus on the inherent limitations and tech quirks that come with producing a low-budget indie short it's impossible not to admire how much Norcross accomplishes given the obvious challenges he faced. John Langley creatively addresses the challenges of creating a sound design that balances both the fairy tale world and the very real world of Caroline both before and after hearing becomes a part of her life. Langley takes the very real sounds of New York City and weaves them into the film's auditory story, an approach that both works within the story's framework and also helps to lessen the impact of any budgetary concerns on the audio experience. Norcross himself does the same thing with the camera work, expertly using lighting to create the fairy tale world while working with the natural New York City setting. 

Caroline of Virginia is the kind of film that you watch and then think to yourself "I want to watch it again," having become so enchanted with its characters and the simplicity yet honesty of its story.



+ Spring 2015 | Novella Shocase Series

♪September-October 11th 2014 - Petaluma Virtual Film Festival | Sonoma County, California (rolling screenings across 3 weeks)

♫September 18, 2014 - Phnom Pehn International Film Festival | The Flicks Community Movie Houses


♫September 14, 2014 - Phnom Pehn International Film Festival | The Flicks Community Movie Houses


♪July 14 - August 15 2012  - Film Skillet International Film Contest (Awards Finalist)


♫June 28, 2012 - Manhattan Film FestivalThe Producer's Club Theater | 358 West 44th StreetNew York, NY


♪June 15, 2012 - Staten Island, New YorkEverything Goes Book | Cafe208 Bay Street, Tompkinsville Staten Island, NY


♪April 6-30, 2012 - IndieDemand Film Festival.September 18, 2011 - Springfield, MABing Arts Center


♪August 18, 2011 - New York City, New YorkTribeca Grand Hotel Screening Room2 Avenue of the Americas - Check in: 7:00PMHosted by After Set.


♪July 29, 2011 Long Island, Maine Community Library, Hosted by the LI Rec Department - open invitation "Movie Night".


♫July, 04 2011 New York City, New York Anthology Film Archives - New Filmmakers New York Shorts Series at Summer Fest - This was the PREMIERE! More info at

CAROLINE OF VIRGINIA (COV) is a short fairy tale film that premiered on July 4, 2011, at the Anthology Film Archives in New York City. In celebration of the 10 year anniversary of the film, COV has been made available on my YouTube and Vimeo. Although I've come a long way as a storyteller, this movie still has a spirit and heart that permeates time.

COV wasn't my first film, but it was my first to be selected by a film festival, a screening series, and to win an award. With this one movie, I went from no public screenings, to more than ten. The film continues to receive invitations to screen all over the world.

COV was the beginning of an era where I transitioned from the stringent teachings of standard industry-style filmmaking (the film school way of filmmaking), to embracing more experimental concepts, and trying things I hadn't yet seen in film. My experience creating the film, crossed with its success in the circuit, made me feel like a filmmaker for the first time in my life. I was in my early 30's.

COV's sister film is a short sc-fi mystery: LIPSTICK LIES, and has also been made available on both platforms.


                                                                                                                                                  July 4, 2021

                                                                                                                                                 New York City

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